W is for Woolf


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Virginia Woolf was born Adeline Virginia Stephen in 1882 in London, to a father who was a well known Historian, author and founding editor of The Dictionary of National Biography.

Educated at home by her parents Virginia was surrounded by Victorian Literary society. Virginia resented the fact that her brothers attended Cambridge. The family spent summers in Cornwall, a place that had a profound effect on the young Virginia and the landscape was later to feature in some of her work.

Woolf had her first breakdown in 1897, but it’s generally believed that it was the death of her father in 1904 (her mother had died 9 years earlier) that brought on her first breakdown where she was institutionalized. After she was released she bought a house in Bloomsbury and it was there that she met the writers and artists known as The Bloomsbury Group.

She began writing professionally in 1900, initially for The Times Literary Supplement, but it wasn’t until 1915 that she published her first novel, The Voyage Out, which was published by her half-brother’s imprint. She went on to publish novels and essays to both critical and popular success. Most of her work was initially self-published through the Hogarth Press.

She suffered from depression her whole life and after recently completing the manuscript of her last novel, put on her overcoat, filled its pockets with stones, and walked into the river near her home, drowning herself in 1941. Her body wasn’t found for over 20 days.

Considered to be a major innovator in the English language, Woolf’s novels are highly experimental and she been described as one of the foremost modernists of the 20th Century.

The note she left for her husband read: “Dearest, I feel certain that I am going mad again. I feel we can’t go through another of those terrible times. And I shan’t recover this time. I begin to hear voices, and I can’t concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don’t think two people could have been happier ’til this terrible disease came. I can’t fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can’t even write this properly. I can’t read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that—everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can’t go on spoiling your life any longer. I don’t think two people could have been happier than we have been. V.”

My favourite Woolf quotes:

“A woman must have money and a room of her own if she is to write fiction.”

“Every secret of a writers soul, every experience of his life, every quality of his mind is written large in his works.”

“Nothing induces me to read a novel except when I have to make money by writing about it. I detest them.”

“Fiction is like a spiders web, attached ever so slightly perhaps, but still attached to life at all 4 corners. Often the attachment is scarcely perceptible.”

“The poet gives us his essence, but prose takes the mold of the body and mind.”

“Writing is like sex. First you do it for love, then you do it for your friends, and then you do it for money.”

“The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none.”

Virginia talking about “craftsmanship” for the BBC:

Woolf’s best-known nonfiction piece is “A Room Of Ones Own” (1929) where she discusses the difficulties facing female writers, because men hold the legal and economic power. A Guardian Article from 2011 seemed to suggest that the world of fiction is still dominated by men…. What do you think?

Who’s Afraid of Virginia Woolf?


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Me!!!!!! Well, ok, I was, but not now lol

I’d been avoiding watching this film for years and I’m not sure why. Did I think it would be too intellectual for me? Probably……I actually thought it was about Virginia Woolf lol….the power of a title eh? 😉

So imagine my surprise when I discovered that actually, it’s a character driven plot (if you can call it a plot per se) that centres on just 4 characters. Two married couples. Martha & George (Elizabeth Taylor and Richard Burton) the older couple, have a volatile relationship (lots of conflict, I like that!) and poor Nick & Honey, the younger couple (George Segal and Sandy Dennis) who get dragged into a night of merciless personal attacks. It’s basically 2 hours of screaming, fighting and general mud slinging lol.

That makes it sound very simplistic doesn’t it? But trust me, if you haven’t seen it, it’s not. It’s full of mind games and very clever manipulation. I am in awe of Edward Albee who wrote the original script for the play. Its a fascinating piece, that’s given me quite a few ideas for my own stories, especially the way the characters interact. A bit too complex for a short story though.

And as for the title? The one I was so scared of for all these years? It’s actually a pun on the Disney song “Who’s Afraid of the Big Bad Wolf” from the Three Little Pigs. Here’s a quote from Albee, explaining the title:

‘I was in there having a beer one night, and I saw “Who’s Afraid of Virginia Woolf” scrawled in soap, I suppose, on this mirror. When I started to write the play it cropped up in my mind again. And of course, who’s afraid of Virginia Woolf means who’s afraid of the big bad wolf….who’s afraid of living life without false illusions. And it did strike me as being a rather typical, university intellectual joke.’

Now that’s what I call inspiration!!!!!! Something scrawled on a restroom mirror *laughs* incredible. So it just goes to show, you must take your notebook everywhere! 😉

Have you ever found something inspiring on a restroom mirror? Or in any other interesting places? I found this on the back of a toilet door in Cafe Nero once, but I don’t have a clue what to do with it lol 😉

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Editing, Editing, and Rediting


I spent most of yesterday editing a 2700 word section of my Nano Novella to use as my 3rd OCA Assignment which is due in on the 20th of December.

I chose a section that contains narrative and dialogue but the other requirement is for the piece to contain internal monologue, which currently, it doesn’t 😦

Internal Monologue is a narrative technique that shows the thoughts passing through the protagonists mind. Sounds simple yeah? Lol…..well not really. You can’t say he/she thought, that wouldn’t be Internal Monologue. It has to be more direct. It’s like a stream of consciousness in which the author shows the thoughts of a single individual in the same order these thoughts occur inside the characters head. The author shouldnt attempt to provide (or only minimally) any commentary or description to help the reader untangle the thoughts, nor should the author sort them into grammatically correct sentences. It’s like the reader overhearing the characters thoughts and the narrator disappears and the POV overlaps…… Now, does that make sense? Lol

Virginia Woolf uses the technique in Mrs Dalloway:

“It seemed to her as she drank the sweet stuff that she was opening long windows,
stepping out into some garden. But where? The clock was striking – one, two, three:
how sensible the sound was; compared with all this thumping; like Septimus himself.
She was falling asleep.”

I’ve been trying to get my head round this whole concept, and I think I’ve finally cracked it. It helps the reader connect more with the character and yes, when you add some to your 3rd person narrative it kinda makes the whole thing feel less detached…..the famous show don’t tell rule.

So today will be spent adding Internal Monologue……and sorting out my “tense” lol. I am officially a nightmare when it comes to chopping and changing tense. The weird thing is, when my husband had a look he said most of the tense errors were to do with one character in particular. Haven’t got a clue how I managed that! 😉